The most frequent question collectors ask me is: “How much is the original?” And my answer is always the same: originals are not for sale. Not for any money.
For most people, a painting is a canvas, decor, or a trophy. For me, it is a ritual tool, an altar, and, quite literally, an extension of my physical body. Giving away an original is equivalent to handing out my own internal organs. If I were to start doing that, I would become energetically depleted to the point where my existence in this realm would simply cease. My physical body would wither.
There are things I have kept silent about for a long time, but the time has come to reveal this layer of my alchemy. This is why the originals stay with me.
The Blood Seal and the Parasite Filter
Throughout my life, I have encountered many people who, out of envy, tried to bury me alive—to extinguish my inner fire. My paintings are the most direct channel through which an energetic strike can be delivered against me. Because of this, I created an absolute defense.
Almost every canvas of mine holds a hidden secret. Before applying the first stroke, I leave a drop of my own blood on the surface. It absorbs, dries, and only then is the pigment laid over it. This invisible blood imprint turns the painting into my “eyes.” Through it, I instantly read the vibrations of a space. This pulsating radar allows me to flawlessly filter out parasites and those who are strictly forbidden from looking at my work. The original carrying my DNA is my shield.
The Cocoon and Sustaining Vibrations
My space is a temple, and the originals within it are smaller shrines. They are not static. Planets move, worldly energies continuously shift, and I must ensure that the foundational vibration of the painting remains crystal clear.
To do this, I constantly transform their “cocoons”: I change their frames, their color, their shape, adding or removing details. These frames act as protective amulets. When one amulet is depleted, I replace it with another. I am the sole keeper who, through my life and my rituals, maintains their energetic balance.
Quantum Connection and the Protection of Your Prints
Why is all this so important for those who own my prints?
Energy is indivisible. All released prints are inextricably linked to the original on a subtle plane. If I were to sell or gift the original into foreign, unclean hands, if I allowed a toxic gaze to saturate it with the wrong energy—this infection would instantly transmit across the entire network. All prints would lose their true power. By keeping the original with me, I protect your investment and the purity of the energy you have welcomed into your home.
The Law of Sacrifice and Infinite Value
And finally, the ultimate reason. Originals are the tools of my personal transformation. And sometimes, this transformation requires radical measures.
There is a frequent ritual in my practice: when I undergo a massive internal shift, I literally sacrifice a painting. I burn it. And I absolutely do not care how many hundreds of hours I poured into it. If I feel that it must leave this material world and turn to ash, I do so without regret.
And here lies the ultimate law: when the original is destroyed in fire, its energy transitions to an entirely new, higher level of vibration. In that very second, the value of all existing prints of that painting skyrockets. Because once the original is burned, *your* prints become the sole physical anchors of this ascended energy on Earth.
I do not sell originals because I do not sell my life, my blood, or my control over destiny. Dominion over this energy belongs solely to me.